ShaneGreen

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ShaneGreen last won the day on December 9 2019

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About ShaneGreen

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  1. ShaneGreen

    Free update

    US Cutter version on Windows 10
  2. ShaneGreen

    Free update

    Mine updated just fine. VM Pro on a Win10.
  3. ShaneGreen

    powerclip

    In the "Shapes & Welding" tools there is "Punch out" which removes the shape of the item above from the item below (think paper punch). Or "Stamp" which does the opposite, removing the object below from the one above.
  4. ShaneGreen

    Cutting in Sections

    VM calls it "tiling".
  5. Darcshadow, I've had the same sort of thing but rather than missing nodes it was extra nodes on lower layers. Almost like a square was node A1, A2, A3 and A4. When a copy was made it became B1, B2, B3, B4 and then moved. But when VM or Explorer see it it's reading A1, A2, B3, A3, A4, so the middle of one side took off in a funky direction. Deleting all the extra layers and objects gave me back the original image.
  6. I've got thousands of svg files and VMPro does occasionally choke on one. The same files usually don't look right in Windows Explorer either, so it's more than likely an oddly formatted file. On the rare occasion I get a bad one I open it up in Inkscape first. Sometimes it looks off in Inkscape too. I'll highlight all of the visible objects and move them to the front level and change their color and then resave. If that doesn't fix the problem, sometimes I'll grab those objects and move them to a new file. A lot of the time it's an issue of duplicate objects on multiple levels that makes VM go crosseyed.
  7. At 6'7" I wear a "3xl Tall." When I was Fire Chief we had a lot of folks on the department that needed 3XL-5XL. The local screen printing shop owners were close friends so we did a lot of experimenting. Found out we were wasting time doing multiple sized images for the front of shirts. Most people can't tell the difference and if you make it real big the person looks like a walking billboard. . . and not in a good way. The back of shirts was on a case-by-case basis. If it was a short but wide graphic then it sometimes needed to be made bigger on the backs of the larger shirts. This was especially true if it was arced. Arced text on the back kind of needs to almost touch the shoulder blades to look good and when you start looking at someone my size that's quite a bit wider then a normal XL. You also need to take the weight of all that vinyl or ink into consideration. The wider it gets, the more it wants to make the shirt sag. When you scale up, the thickness of every stroke gets larger too, so if you put a 14" wide graphic on the front of a shirt there is going to be a lot of sweating going on.
  8. ShaneGreen

    Rotary die cutter or flatbed plotter??

    Glad you found a good solution! Be sure and post some pictures and a review when you get it in. Never know when that sort of information might be handy.
  9. ShaneGreen

    Shape by angle

    I can make one the right size based on length and width, but can't seem to figure it out by angle. >Side menu select "General Power Shapes" > Polygon > then drag one onto your page >switch to object mode? the single arrow in the upper left of the menu that lets you select an object. > select the polygon > your upper menu now shows the polygon tools > change "points" to 4 > next to the width and height turn off the padlock, turning off "proportional" > now you can manually stretch the polygon or enter your dimensions in the width and height
  10. ShaneGreen

    Vinyl work on a parade float

    Love It! Love It! Love It!
  11. ShaneGreen

    Rotary die cutter or flatbed plotter??

    My experience with die cutting is in the cardboard packaging industry. Their idea of "high volume" is probably a bit different than the vinyl business. One job I had them running was 5'x3' sheets loaded every 5 seconds: load a sheet of cardboard, stamp, slide the parts off the press and load another sheet. At over 100 parts per sheet, one guy was putting out 2,000/hour. Rolls were handled in one of two methods: 1) Flat Die: an arm unrolled and slid the material under the die, retracted, die cycled, repeat. This was great because you could start with a small die with one pattern or a larger die with multiple patterns. They could also gang jobs to get the most out of each cycle. 2) Roller Die: a continual operation where the material roll is fed in the side of the press, the die is on a roll that spins at the same rate as material feed. This is super high volume and I only saw it used on smaller parts where die only had a few patterns on it. Not sure how this would work without stretching the vinyl. I tell you all this so you get a feel for their "volume". But it was their sample lab that held my interest and might give you some ideas. They used air-over hydraulic presses like in an auto shop, only with high-speed cylinders. Almost all of their steel rule dies were handcut plywood with the rules inserted no matter what the projected volume was. Handcutting is fine for cardboard, but vinyl would need more precision, like you'd get if you laser cut the wood. The leather industry makes a lot of their dies with laser cut wood and steel rules. They use toggle presses, air-over hydraulic, ball-screw presses and some other interesting machines. They are looking at tolerances a lot tighter and require quite a bit of force. They might be a good place to look. Depending on your tolerances and volume, you might be able to get going relatively inexpensively. There are folks on etsy making custom dies for leather and paper.
  12. ShaneGreen

    Propane truck application

    Sorry about that. . . the one they used to sell looked identical and it projected two lines at right angles.
  13. ShaneGreen

    Propane truck application

    https://www.harborfreight.com/16-in-laser-level-with-swivel-head-69259.html Place one leg towards the vehicle and the other two parallel to the truck. Adjust the level to get the laser aligned to a horizontal line on the truck. Then start adding blocks under the front leg until you get to the height you want. Used to align industrial equipment this way and you'll be within a few thousands if you take your time. NOT THIS ONE....IT NOW ONLY PROJECTS A DOT INSTEAD OF CROSSHAIRS
  14. ShaneGreen

    Vinyl colors

    Wilson has a good suggestion. I bought my cutter with a bundle of Greenstar, knowing that a lot of people think it's inferior. Knowing I was never going to sell any of it to a customer gave me the freedom to make lots of mistakes and try lots of things. . .it was all going in the trash anyway. Even used it to learn to apply larger graphics and just scraped it off when I was done. I got a lot of practice and learned the hard way that quality vinyl is worth the money. When I got my first rolls of 651 I couldn't believe how much better it held detail and how great it weeded. The Greenstar taught me a lot about fine tuning my cutter so it was worth every penny. I wasted a lot of time trying to fill up the full 24" width in those first months so I didn't waste vinyl. I should have bought narrower stuff to practice on. Now I know the cost of my time versus my vinyl and I don't worry about throwing out 6" of excess. Oh, I found that gold is a really popular option. It seems to go with just about anything.
  15. ShaneGreen

    Who "owns" designs?

    For anyone outsourcing any of their artwork, it's also important to distinguish between owning the copyright and being licensed to use a design you've had created. On many of the hire-a-designer type sites it's become popular to deal in licenses rather than copyright transfer. The general gist is that you go to one of the sites looking to have a logo done for business cards and shirts. You pick an artist and they design a logo. You pay $50 for a license to use the logo on the business cards, shirts, stationary, etc. and go on about your merry way. It's a logo for YOUR business right? Why would the artist care what you do with it? A couple of years pass, your business grows and before long you have your logo on a billboard and a tv commercial. The artist you haven't spoke to in years still owns the copyright and you don't have a license to cover the new media. Here comes the cease and desist letter with an option for a huge invoice. Turns out there are graphic artists out there that are using this model as their business plan. Pump out as many low-priced logos as you can create. The more you license, the higher the odds you'll have a customer succeed one day. It's not extortion if you legally own the copyright.